Archive for 2006

Commitment

Tuesday, December 19th, 2006

How time flies when you’re busy! Here I am wondering not only where December has gone, but where all of 2006 has gone! What a great year it’s been.

Winter is officially here in Salt Lake. The air is crisp, the days are shorter, and—most importantly—the ski season is in full swing. I’ve yet to get into full photographer mode for skiing quite yet, as I still need to get my early season powder fix (quite possibly my biggest weakness), which brings me to my point: if you want to be a photographer, you must be committed to being a photographer. Everything else is secondary. Warmth is secondary. Comfort is secondary. Sleep is secondary. Time is secondary (if that makes sense). At times, fun might be secondary—although I think any shooting experience can be fun.

I say this because there are too many photographers who are on the cuff. Many people go skiing and take some pictures while they’re up there, but how many go skiing TO TAKE PICTURES. There is a very limited number who do. That’s why professional photographers are exactly that—professional. Does a businessman come into the office to watch a couple movies and maybe get some work in? If you want to get serious about photography, commit your time and efforts to it when you go out. This doesn’t mean you have to be some straight-faced, no-nonsense type of person—but it does mean you have to have a serious idea of the photographic goals you’d like to accomplish for that particular day.

Luckily, photography is a profession that allows us to have fun and be “professional” at the same time. It’s most important to keep a solid balance between the two, and make sure to get work done when work needs to be done. FYI—this was more a confession/diary monologue of sorts than anything else. I feel as though I need to recommit myself to that which I love most (well almost most—see pics for explanation!). Happy Holidays!

Mom and Ash Eye to Eye.jpg

Nekkid Ash Sitting.jpg Ash w Moms Hands.jpg

Different is Good

Monday, October 16th, 2006
With the arrival of my son (our first!) just around the corner, I’ve been inspired (and asked by my lovely wife!) to approach some new areas of photography previously shunned like the plague. All in all–it has been a great experience. I’ve found that anything is possible if you’re willing to throw caution to the wind and get outside your comfort zone.
I’ve been shooting some classic “belly” shots of my wife for remembering’s sake. I’d never shot anything like this before, and in general–I’m not a huge people person as far as photography goes. I feel as though I don’t have the proper training and background. I often compare it to skiing–skiing powder is so different than skiing moguls or groomers. But while technique for skiing each particular condition may be different, the fundamentals are all still the same.
So I decided to check out several websites with maternity pics and see what I could learn. The web is such a useful tool for research these days. It’s so easy to go online and look at hundreds of images in just minutes. Use it!! Don’t use it for plagiarism purposes, but use it to get the brain juices flowing. It never hurts to get an idea of what others that know what they’re doing–are actually doing!
To be honest, I had no idea what I was doing. I just relied on my knowledge obtained from all the stuff I’ve shot in previous years–and found that much of it applied here as well. Lighting is crucial, depth of field is key, and composition will make or break the shot! I grabbed my tripod and a utility light (the type with the cage that hangs from the ceiling) and used our wall as a background. It’s painted a neutral tope color, so it worked alright. I taped a piece of tan wrapping paper across the light to soften it up a bit and just started going to work. Plug in the cable release and set up the camera timer and VOILA!!
By no means am I ready to open my own studio (nor do I necessarily hope to go that direction), but I was pleasantly surprised with how things turned out that night. Don’t be afraid to try something new, you just might surprise yourself!
Mur Belly w Both Hands.jpg

Back from the East Coast!

Tuesday, September 26th, 2006

Wow—another week away from Utah and I’m ready to stick around for a while. Stops on this whirlwind business/pleasure trip included NYC, Boston, Lake Winnipesaukee and Boothbay Harbor, Maine.

I was super stoked to be able to get to Boothbay. For some reason, I’ve been wanting to get to Maine for some time. So many cool images to be made there. While the weather didn’t fully cooperate, I did come away with some great stuff. How could you not in a place that quaint, cozy and beautiful? Lighthouses and miles of rugged coastline provide endless shooting options. One thing’s for certain—if you’re going to shoot (or do anything for that matter) in Maine, be prepared for rain. I learned first-hand how difficult it is to set up shots while trying to adjust the tripod, hold the umbrella, and keep my camera dry. Stinging wind and sea spray were just salt in the wound. Where’s my assistant!?! Riiiight…..

Weather, however is such a key player in making beautiful images. In fact—shooting in good weather—i.e. searing sunshine—is quite often the worst photographing weather around. My point is, if you want to make lasting, dynamic images, be prepared for weather. A good photographer doesn’t necessarily have to welcome diverse weather, but he/she will always find a way to produce keepers—rain or shine.

When confronted with flat lighting conditions, look for scenes with rich tonal contrasts. These scenes will translate into great black and white images. After shooting more and more in B/W, you’ll learn to view scenes in tones instead of colors. I’m definitely still working on it…now you should too!

Until next blog—cheers!

Sunset at Ocean Point, ME

Fall in the Wasatch

Tuesday, September 26th, 2006

It’s fall in the Wasatch, and that means breathtaking images, 24-7. Well—almost 24-7. There’s no time that makes me want to be a full time photog more than fall—it’s just so beautiful, so unpredictable, and so easy to make awesome photos.

We had a strong cold front move through the area last weekend, and with it came the first snow of the season. Booyeah! Not only does it get me excited for skiing, it makes for amazing images. After getting lost in Wasatch Mtn. State Park at 5:30 am, I managed to work my way down to a spot overlooking Deer Creek Reservoir. Green farmland, whispy fog and fading storm clouds made for an engaging sunrise shoot. As is frequently the case, I was overcome with the beauty of this area! As the clouds turned bright pink with the rising sun, I was glad to have my Grad ND filter. As I’ve mentioned before, this could be the single most helpful tool in capturing heartstopping images. It allows you to capture detail in the foreground AND detail and color in the sky—which was really the focal point of this image with the pink clouds. If you are serious about scenic photography, and don’t own one—go out and get one now.

The greatest thing about fall is the opportunity to shoot all day long. Not just confined to sunrise and sunset, you can search the forest floors for pleasant “isolated landscapes” in open shade. Fallen leaves, early morning frost, or rushing streams or rivers lined by fall foliage all make for dynamic images. When mid-day approaches and the light gets more harsh, look for backlighting. Aspens literally turn neon with the sun behind them. Make sure to take a polarizer with you, as it helps to reduce glare and intensify colors—making golds and reds pop against a deep blue sky.

If you can’t manage to get to a location with the classic sprawling landscape composition, screw on a macro lens and take a walk through a park or a mountain trail. There are countless isolated scenics waiting for a creative eye. Happy fall shooting!

Guardsman Pass Aspen Pano Big Cottonwood Creek Fall Snowstorm, Deer Creek Reservoir Sunrise over Deer Creek Reservoir


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