Archive for May, 2010

Video: B&H Photo Presentation–Capturing the Complete Outdoor Image

Tuesday, May 25th, 2010

Part 1 of my presentation from B&H in April on Capturing the Complete Outdoor Image. Not quite the same as being there, but close!

Timing Makes All The Difference

Thursday, May 20th, 2010
Comparison of two images of wildflowers and South Caineville Mesa by Utah landscape photographer Adam Barker.

Comparison of two images of wildflowers and South Caineville Mesa by Utah landscape photographer Adam Barker.

Timing really can make all the difference. Shooting at different times means shooting different light. And different light can give nearly the same image an entirely different feel.

Case in point is this study from my recent trip down to Caineville, UT. These two (nearly identical) images were shot just 13 minutes apart. As you can see, the image on the left still has direct light on the FG flowers. Due to the bluffs to the west, it was impossible to catch the last rays of light on the flowers themselves. This direct light is a bit hot for my taste, but it does accentuate the rows of flowers, and give the FG more of an elongated feel.

The image on the right showcases the flowers in open shade, and succulent late light on South Caineville Mesa. The open shade on the FG gives the viewer access to every last detail, and renders the colors softer and more luminescent. It doesn’t, however, showcase the leading lines of the flower rows.

This truly is the beauty of still photography. And this, really, is how you can go about defining your personal style and your preference to the types of images you’d like to capture. Study the subtle (or not so subtle) difference between images. Are you willing to sacrifice some of the detail in the FG flowers for the compositional definition, or do you prefer the soft tones and colors instead of the open shade? If you had to choose between displaying one or the other of these images, which would it be–and why?

Shot with Canon 5D MkII, 24MM TS-E 3.5II, Singh Ray LB ColorCombo Polarizer, Singh Ray 3-stop Reverse ND Grad

Pro Photog 101: Don’t Give Your Work Away

Sunday, May 16th, 2010

As I have been many times before, I was recently approached by a publication interested in several of my National Parks images. From the get go, I gathered that this publication had no interest in paying for my images, as the first email stipulated “All of the photos we use in the magazine will be credited to you, resulting in free advertising for your company”

I responded politely, thanking them for their interest in my work and asking them to forward a rate sheet and I would consider putting together a submission for them. I received a reply with a media kit that outlined their publication along with their advertising rates. Nowhere did I see any compensation rates for imagery.

After another email asking about their rates for imagery, I received this note. “I talked with my editor and we do not pay for photography or do license fees. We will use your photos in the magazine and in the online version, providing you with free advertising for your company. We will provide all of your contact information etc. as well.”

Below is my response. Short and sweet: VALUE YOUR WORK. Do not give it away for free. “Exposure” and “free advertising” very rarely add up to money in your bank account, and they certainly won’t garner you anything but regret and disdain for those that were cunning enough to take advantage of your optimistic and hopeful approach.

“Hi X–
Thanks for the info.

I don’t want to shoot the messenger here, so please feel free to pass my thoughts along to your editor/publisher.

X magazine appears to be a professional publication. At least, the media kit, circulation, statistics and other credentials listed would have one believe so. I think it looks like a nice pub, and I’m sure it has significant reach within the X community. My question is this: how can this publication justify charging $1,500.00 per full page of advertising yet not be willing to pay one red cent for quality imagery? It is simply an unethical, and unjust way to do business.

I am a professional photographer. I’m not a hobbyist, and I do have a bottom line. This means I make 100% of my living off of what I bring in from licensing my imagery (stock) or from hired work for commercial and/or editorial outlets. While I appreciate the sentiment of offering “free” advertising, in the end, it simply doesn’t add up. Time (which is worth a substantial amount), money and personal and professional commitment were expended in capturing all of my imagery. Add in the expenses I accumulate from maintaining a professional standard with my equipment, and in the end–I am essentially paying X Magazine to have my images published. And that just doesn’t equate.

Without quality content, this publication would have no audience. Without an audience, this publication would have no advertisers. And without advertisers, you, and everyone else that works for this magazine would be out of a job. How would you feel if you approached an advertiser and they said to you, “we can’t pay for an advertisement, but we’d be happy to hand out copies of your publication to our clients once you let us advertise for free. You’ll get great exposure”. I imagine your publisher would decline in a heartbeat, and yet–this is essentially what you are asking of those that make it possible for this publication to even exist.

I hope that at one point, your publisher can commit to a business model that is respectful to, and respectable of, all those that contribute to the magazine. Were I to accept this offer, and operate my business accordingly, I would effectively be putting myself out of business in a matter of months. I can’t imagine this publication won’t discover the same fate if some commitment isn’t made to compensate fairly for quality content.

Again, this isn’t meant as a personal attack on you. It needs to be heard by the decision makers, so I would appreciate you passing it along.

Thanks X, and please, if you do ever happen to establish a budget for imagery, please feel free to contact me in the future. Cheers.”

Video: How to Hand Hold Grad ND Filters

Tuesday, May 11th, 2010

Here’s a quick video clip from my instructional DVD that showcases the effectiveness of several filters from Singh Ray. It also gives a good demonstration on how I hand hold my filters when shooting. (to order the DVD, click here)

Why do I hand hold my filters?

1. Speed—in rapidly changing conditions, I want to be able to adjust my shooting position, composition, lens selection or any number of other components quickly and without too much hassle. By hand holding my filters, I’m able to adapt quickly to whatever may present itself in those fleeting moments of magic.

2. Control—many times we find ourselves shooting scenes with parts of the image that may require less filtration than others. By hand-holding my filters, I am able to manually dodge and burn the parts of the image that may require more or less filtration. This is an advanced technique of sorts, but will become more intuitive with time and practice.

3. Versatility—many of the active lifestyle images I shoot are done on unsteady surfaces and without a tripod. There simply isn’t time to screw on a filter holder and even if I were able to, my gradient transitions (where I want that filter line to fall) are never stationary. Hand-holding allows me to micro-adjust that filter placement for each shot.

How do I hand hold my filters?

Let me first say that all of the Grad ND filters I use are the 4 x 6 size. This larger size is much easier to hand hold in general, and nearly essential if you’re shooting wide angle lenses on a full frame sensor.

I generally grasp the edge of the filter between my thumb and index finger or middle finger. Taking special care not to shake the camera, I place the filter flush against the front element of the lens. If I’m shooting at longer focal lengths or with longer shutter speeds, I may remove the filter just slightly from the lens to avoid any sharpness sapping vibration.


Entries (RSS) and Comments (RSS).