Archive for the ‘Fly Fishing’ Category

Dear Fly Fishing Photographer…

Monday, January 30th, 2012

Believe it or not, you CAN make money at this game. Oh yes! It’s not just some pie in the sky myth that might come true on the 4th leap year of the new Etruscan moon cycle while the tide is full and Mother Earth’s Unicorn plays Greensleeves on a diamond encrusted ukelele. Believe it or not, there are clients out there that would pay money, and decent money at that for quality imagery. Yet, currently, these budgets are being allocated elsewhere as it’s just that easy to find the next travel-hungry lensman ready to jump on a plane and deliver “everything” for a week’s worth of pina coladas and a pre-planned sunburn.

Yes, it’s true–travel is exotic, fun and fantastic for the time being. But think about this–someday, you will truly end up realizing that dream of making a living as a full time professional photographer,  and there will be no side job or other income to pay those bills that are not being paid with a high five to your bro on the front of a panga. Keep in mind you actually just paid to get to that panga (I know, flights are cheap yo!). Sure, everything’s covered once you’re there, but that’s where you’re coming up short once again–you’re working hard, using your hard-earned (and paid for) equipment and spending time away from the computer or other jobs that would be putting legitimate income into your bank account. It all feels pretty good, until you get home and have to spend another 20 hours editing, processing and uploading the unlimited number of images you owe the lodge for the “free but paid and STILL paying for” shooting gig.

It’s all good, cause you can come home and then license the images to the next rod, reel or apparel company that has been trained to trade product for imagery. A new reel–suh-weet! Add that to your collection and then hustle back to the computer and list it on Ebay. Feels quite proper, until you actually think about the cycle here. Let’s see…reel company trades you a reel for imagery. You then go and hawk the reel for a fraction of the new price, justifying the deal done for trade and finally actually putting some cold hard cash in your pocket. Then you realize this means that one less person will be purchasing one less reel from your local fly fishing shop which will be ordering one less reel from the manufacturer which means the manufacturers expendable income for things like marketing (imagery) is hurting even more. It’s an ugly cycle. One that really only hurts everyone in the end…

In all fairness though, there is plenty of room to play devil’s advocate here. Many of these trips yield legitimate “portfolio-building” imagery, establish relationships with decision makers, and contribute to the overall sexiness of your brand (not talking about the sick silhouetted casting tattoo on your once-rippling lats there, chieftain.). I have certainly been there. And at times, I believed it to be the right decision.  The decision process is/was cloudy at best. To make it even cloudier, you get plenty of time with a rod in your hand and it feeds our incessant need to fish (it’s a sickness!). At different times in your career, it may feel more justified than not. But in the end, it leaves you feeling sheepishly satisfied at best.

One certainly can’t blame the clients. They’ve been trained to take full advantage of us photographers who are essentially peeing in our own kiddie pool time and time again. If I could get a t-bone for the price of a hamburger, you better believe I’d do it.But I can’t help but think it hasn’t bitten them as well.

So, what to do? Decide today that you will make informed decisions. Weigh the pros vs. the cons. Think beyond the next month. There are extenuating circumstances, yes. But take a moment to think about whether the next uber trip to pluto’s fifth moon to fish for the dragon-eyed bumblefish is really going to do anything for you (and those with whom you associate on a professional level) but pad your ego and crowd your Facebook page.

This post is neither a me vs. you post, nor an us vs. them post.  We can all work together to make this industry stronger and healthier than ever before. Mediocre photographers say yes to mediocre deals, which leaves the client with mediocre imagery, which shows the world that they cater to a mediocre crowd looking for a mediocre experience. That spells one giant FAIL for all parties involved. Exceptional photographers say yes to deals that benefit both parties equally. Is there a cash component involved? Ideally, yes. At times, perhaps not, but that lies upon our own shoulders to determine if what we do gain is of adequate value vs. what we deliver.  It’s up to us to educate, negotiate and deliver.

Now.  About that tattoo…

Edit: I’ve had numerous responses to this blog post privately. Some will take this post to be preachy–I don’t mean it as such although it’s somewhat inevitable when addressing a topic such as this with a side of sarcasm. It has nothing to do with jobs I may or may not have been awarded and everything to do with a fluid thought process that influences the way I look at my profession. Let me clarify by noting that each photographer has every right to approach his or her business as he/she so chooses. There are many, many other factors I consider when approaching a shooting opportunity than the bottom line, cash in hand result. Whether this post has you nodding your head in agreement, or cursing the monitor through clenched teeth…it has served its purpose. We progress when we think and analyze. We digress when we refuse to give even a small place in our minds to an alien approach or thought process…

11 Best of 2011 from AdamBarkerPhotography

Tuesday, January 10th, 2012

2011 was a spectacular year on all accounts. Foot upon foot of pow skied, fish from Wyoming to the Bahamas hooked, festivals in the far corners of the earth, ancient pathways crossed–all contributed to what could perhaps be one of my most productive years behind the lens. Cliche as it may be, I can’t help but look back in review and share some of my favorites from the past year.  As always, many thanks to my sponsors: Arc’teryx, Suunto, Mark Miller Subaru, Mountain Khakis, Manfrotto School of Xcellence, Clikelite Backpacks and Singh Ray Filters. Hope you all enjoy, and here’s to an even better 2012! (click on images to view larger versions)

1. Jesse Hall takes a moment to ponder human flight, as he stands inside the hot air balloon from which he’ll subsequently launch himself into gravity’s liberating grasp. Park City, UT.

2. Angler Al Chidester finds himself surrounded by all that is good in this world: fresh air, fall foliage…and fantastic fishing in some of western Wyoming’s most treasured water.

3. Fire and rain over Warm Creek Bay, Lake Powell, UT.

4. Hazy skies make for ethereal and ancient interpretations of East Jerusalem, Israel.

5. First light envelopes Agua Canyon in a glow only Mother Nature could furnish. Bryce Canyon National Park, UT.

6. Ralph Lauren’s Double RL Ranch shows its true colors in crisp early morning light. Dallas Divide, CO.

7. Angler Geoff Mueller admires a healthy bonefish (caught and released) in Abaco Island’s skinniest of water.

8. Calm in the chaos of Hanoi traffic, Vietnam.

9. Bavaria’s finest color smiles upon a lone farmer’s shed in the fields near Garmisch-Partenkirchen, Germany.

10. Skier Drew Stoecklein can, in fact turn right. At just the right time. In just the right place. Alta Backcountry, UT.

11. Angler Geoff Mueller and Oliver White tense up as they ply the waters off Abaco Island for huge permit.

Published Gallery Feature: Mountain Magazine

Thursday, December 22nd, 2011

Mountain Magazine Photo Gallery Feature with Adam Barker and Jordan Manley (highlights added)

I am ecstatic and honored to be occupying a significant chunk of page space in the winter issue of Mountain Magazine alongside photographer extraordinaire Jordan Manley. Run by a stellar editorial and art team (including former Skiing magazine editor in chief Marc Peruzzi), Mountain Magazine is a sumptuous mix of mountain lifestyle, adventure and profile pieces. If you live and love life in the mountains, do yourself a favor and pick up a copy at your nearest bookseller. These images were shot at a number of local resorts including Alta Ski Area and Snowbird Ski & Summer Resort, and feature local pro like Julian Carr, Cody Barnhill and Parker Cook (with an angling cameo from one Jay Beyer!). See my images below, and pick up a copy in print to see the entire feature!

Mountain Magazine Photo Gallery Feature with Adam Barker and Jordan Manley

Mountain Magazine Photo Gallery Feature with Adam Barker and Jordan Manley

Mountain Magazine Photo Gallery Feature with Adam Barker and Jordan Manley

The Over/Under: Quick Tutorial to Underwater Fly fishing Photography

Monday, August 1st, 2011

Angler Geoff Mueller sizes admires a bonefish caught and released on the fly at Abaco Lodge, Bahamas

As skinny as it comes!
And I’m not talking about the fish here. In saltwater flyfishing, shallow water is commonly referred to as “skinny” water. Let’s just say this stretch of water at Abaco Lodge, Bahamas was on a tidal diet on this particular morning.
Underwater photography is unpredictable and challenging, but that all contributes to an overwhelming feeling of satisfaction when it all works out.

Over/under shots like this are heavily dependent on the right equipment, knowledge and always a bit of luck. It’s key to have a legit housing with a dome port. If you don’t have a dome port, you can still pull these types of shots off, but it’s much more difficult. I always spit on the dome glass and rub it around before getting it wet–this keeps the water from beading up on the part of the glass that remains above water.

Ideally–you will set your exposure just before shooting the sequence (on manual mode, of course). It’s always an approximate guess on lining up all the elements and shooting away. Here, I am kneeling down in the water, holding the housing at waist level or so. Obviously, there’s no looking through the viewfinder, so you need to understand very well what your chosen lens will include depending on where you hold the camera. Pointing and shifting the housing slightly up or down can drastically affect where the dividing water/air line will be in your frame. Experiment each and every time until you start to get a better idea of where that line will fall.

Note that even if you’ve put that line right in the middle of the dome port, it may not be dividing your image in half. Water moves up and down very quickly, and you’re much less steady than you think when holding the housing.

Two last tips! Get a diopter to place on the front element of your lens (before it goes in the housing). This will help mitigate the softness on the corners that is a constant issue when shooting through domes and it will also decrease your minimum focusing distance for your lens–which is key when trying to fill the frame when shooting.
Annnnd, shots like this benefit from front and/or sidelight to properly expose the image both above and underwater. Obviously, the brighter the ocean/river bottom is, the better it will balance with the sky.

UW housings are pricey, but they’re worth every penny. Rent one for a day from manufacturers like AquaTech and see if it might be a good fit for you. Have fun!


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