Archive for the ‘Uncategorized’ Category

Pushing Boundaries

Monday, November 9th, 2009

This past week I was approached by a good friend to do a car shoot for an upcoming charitable project of his. The car? A 2008 Lamborghini Murcielago in a stunning metallic green color. It’s tough to shoot a bad picture of this car, but then again, I’d never tackled a shoot even remotely close to this one, so I was a bit apprehensive.

Lamborghini Murcielago at Bonneville Salt Flats near Salt Lake City, UT

Lamborghini Murcielago at Bonneville Salt Flats near Salt Lake City, UT

I decided to head out to the Bonneville Salt Flats for some dramatic scenery that would (hopefully) put me in somewhat of a familiar element and add some drama to the standard cool car shot. I really had no idea what I was doing as far as car photography was concerned, but I knew if I had good light, and good surroundings, that I could make something work.

Lamborghini Murcielago at Bonneville Salt Flats near Salt Lake City, UT

Lamborghini Murcielago at Bonneville Salt Flats near Salt Lake City, UT

Conditions were crystal clear, making for uninteresting skies on the one hand, and predictable, consistent light on the other. Equipment used was nothing too fancy–a ladder and 30″ reflector. That’s it. I’m comfortable shooting natural light, so I chose to stick with natural light. I also used my Singh Ray Grad ND filters pretty heavily–a nice skill set to have if you’re not too familiar with artificial lighting.

Photographer Adam Barker shooting photos of Lamborghini Murcielago at Bonneville Salt Flats near Salt Lake City, UT

Photographer Adam Barker shooting photos of Lamborghini Murcielago at Bonneville Salt Flats near Salt Lake City, UT

In the end, I was quite pleased with the way things turned out. While I’m sure there are distinguishing eyes out there that could certainly point out some weak spots in the images, I’m fairly content with the results. What did I learn from this shoot? Don’t be afraid to step outside of your comfort zone. After all, it’s still photography, and you’re still you and you’ve still got your style. Remember the basics, and focus on what you do know, not what you don’t know. I know how to use what Mother Nature has cooked up to give me memorable and meaningful images, and just as this has worked so many times in so many locations around the world, it worked on the Salt Flats. What a cool place to do a shoot! The landscape grew more and more eccentric as the sun dropped nearer the horizon. And in the end, I truly think it was the location that made the shots. Thanks to David Watkins for the photos of me shooting!

Photographer Adam Barker shooting photos of Lamborghini Murcielago at Bonneville Salt Flats near Salt Lake City, UT

Photographer Adam Barker shooting photos of Lamborghini Murcielago and Porsche Boxter S at Bonneville Salt Flats near Salt Lake City, UT

Photo of Lamborghini Murcielago at Bonneville Salt Flats near Salt Lake City, UT

Photo of Lamborghini Murcielago at Bonneville Salt Flats near Salt Lake City, UT

Photo of Lamborghini Murcielago at Bonneville Salt Flats near Salt Lake City, UT

Photo of Lamborghini Murcielago at Bonneville Salt Flats near Salt Lake City, UT

Overcome Adversity with Instinct

Monday, July 20th, 2009

It seems lately that I’ve been assaulted with numerous mini challenges these days on my shoots. Whether it’s bad weather, disappointing locations or camera malfunctions–any seasoned photographer will tell you that coming home with keepers is about overcoming obstacles. Capturing memorable and moving imagery is never easy, which is why proper shooting technique and creative vision need to be second nature.

When the scenic shooting is best, light is fleeting. When the action is best, time is scarce. Seconds can make the difference between a 3-star and 5-star image. If you’re fumbling with equipment or second-guessing your composition, you will miss the shot. It’s that simple. Here are a couple of tips that may help in making your photography second nature.

Sunrise at Three Dollar Bridge over the Madison River, MT

Sunrise at Three Dollar Bridge over the Madison River, MT

1. Shoot often–this is perhaps the most important tip I can think of. Practice does make perfect. This is a proven fact. Know your camera controls, but more importantly–know when to do what. This can only come with repetitive practice. Your camera should be as familiar as your favorite spot on the couch. It should feel natural in your hands, and you should be able to react quickly when pressed. The more you have to guess, the greater chance you have of missing the shot.

Sunset near Gunsight Bay on Lake Powell, UT

Sunset near Gunsight Bay on Lake Powell, UT

2. Read your camera manual–and then read it again. A lot of the features on your camera may not apply to what you shoot, but you never know when you might discover a nugget that will make what you do ten times easier. Take it when you travel. Read it on the plane or sitting at the airport. Have your camera in hand as you read it so you can practice implementing what you read.

Producer Eric Budget shoots a fly fishing video short for Megaplex Theaters

Producer Eric Budget shoots a fly fishing video short for Megaplex Theaters

3. Previsualize your shot–this is a concept I discuss often. The better idea you have in your head of what you’d like to capture, the better you will be able to capture it when the image presents itself. If you’re shooting action, try to picture where you’d like your model/athlete to be in the frame for that perfect shot. If it’s a frame filler, decide exactly what part of the athlete to be in focus (most often the face) and make sure to put your pre-selected focus zone on that spot if you’re using autofocus.

2008 Summer Dew Tour action over the Salt Lake City Temple

2008 Summer Dew Tour action over the Salt Lake City Temple

If you’re shooting scenic, picture where the light needs to be to capture what you want to capture. Will it be backlit/front lit/side lit/not lit??? Are you going for the big picture, or will you be shooting something more intimate. What is required for each particular shot? When you know this, you can be taking a mental inventory as you hike or drive to your location. By the time you arrive at your destination, you will have a good idea of what type of shot will work best with the conditions given you.

4. Understand your histogram–much of the time, if a shot is botched it has to do with either blown focus or incorrect exposure. Understanding what your histogram is telling you about your image will allow you to make quick adjustments to get the right exposure. This can be done quickly with the exposure compensation feature (most all digital SLRs and even point and shoots have this feature).

Backlit Lupine at sunset atop Duchesne Ridge, UT

Backlit Lupine at sunset atop Duchesne Ridge, UT

5. Understand when to use which Grad ND Filters–mostly applicable to scenic shooters, this is also important for action and/or lifestyle shooters looking to separate themselves from the pack. Here’s a quick field guide: the greater the difference between shadow and highlight (or sky and FG most commonly), the stronger Grad ND you’ll need (i.e. 2-stop, 3-stop, etc.). Uneven horizon with trees or mountain peaks poking up? Soft step filter. Even horizon line? Hard step filter. Shooting into the sun at sunset or sunrise? Reverse ND Grad.

Sunset reflections of Devil's Castle at Alta, UT

Sunset reflections of Devil's Castle at Alta, UT

Hopefully this list will help you in being better prepared for those fleeting moments that can make or break you as a photographer. We all miss it sometimes, but the better prepared we are, the greater chance we have of tasting success!

Poster Sale for Shane McConkey Fundraiser

Friday, March 27th, 2009

Shane McConkey has always been one of my skiing heroes. He seemed larger than life, yet seemed approachable, personable and modest in a “guy next door” sort of way. Sadly, I never had opportunity to meet or ski with Shane in life. Perhaps this can be my way/our way of honoring him in death.

I have a wife and son, with another arriving in 4 weeks. My heart aches for the McConkey family. While a check in the mail certainly won’t make everything better, a gesture of kindness and caring certainly can change the way one sees life in such challenging tragic times.

Many of you have already purchased my fine art ski poster, but I imagine there are many out there who haven’t. I would like to sell as many posters as possible and donate the full proceeds to the McConkey family. Whether they are in need of financial help or not doesn’t matter to me. It is a gesture of kindness that will hopefully help to ease the pain. While the funds can be used however the family sees fit, I would love for it to be put in a college fund for Shane’s daughter, Ayla. I realize this is not a poster or anything tangible of Shane, but it is already produced, and we can be quicker to provide a moral and financial buoy to the McConkey family.

You can purchase the poster here. Please leave a note in the paypal transaction stating it is for the McConkey fundraiser. I hope to be able to update this post with a significant amount of funds raised some time soon. Thanks for your help in supporting the family of one of our ski heroes.

Update: As of 9:00 am, Thursday Apr. 2, 104 posters have been ordered, totaling $2,600.00 raised for the McConkey family. I am absolutely blown away by the level of support and kindness shown. Keep giving!

Note: The last day for this fundraiser will be Friday, April 3. You can certainly purchase posters after that, but the funds will go to me. You can still consider it a fundraiser if you want…

lcc-poster

Published: Ski Magazine

Friday, January 9th, 2009

Check out this month’s Ski Magazine for a story on the Ski Utah Interconnect. I’m stoked to have a 3/4 page spread in the article on page 42.

Ski Magazine Spread, Jan. 2009

Ski Magazine Spread, Jan. 2009


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