Posts Tagged ‘Photo Tips’

Instinct: Use It

Wednesday, July 21st, 2010
Lupine Wildflowers and sunstar at sunset along the Duchesne Ridge, UT

Lupine Wildflowers and sunstar at sunset along the Duchesne Ridge, UT

Simply put, last night was a gift. It was amazing. It was perfect. It was everything you could ever want behind the lens bottled up into four minutes of ridiculous organized chaos and color and mosquitos and sore knees and…wonder.

I wondered if I captured “it”. I wondered how “it” could be so overwhelmingly gorgeous. I wondered if anyone else had seen “it”. I was certain no one else had seen it like I had. It was impossible. In fact, it was UNpossible. There was no way that anyone else in the world had witnessed nature in such harmony as I had.

At least, that’s what I was telling myself. And I believed it.

Instinct is what you rely on when logic leaves your brain. And believe me, when you get conditions like this in front of your lens, logic will depart. In a hurry. You’ll be left with the most beautiful scene anyone on this earth has ever laid eyes on, and you’ll be bumbling around like a teenager in a Victoria’s Secret store.

Take a deep breath. And rely on what you have done so many times before. Which brings me to my point–if you haven’t done it “so many times before”, you’ll not have much to fall back on when things hit the fan in a good way.

Practice really does make perfect. And in the end, it is a simple practice of sorts that will capture moments like this for all of time. The more you shoot, the more you learn. The more you learn, the more capable you are of handling whatever happens to present itself in front of your lens. Interestingly enough, we only think of practice coming in handy when things go bad. But what about when things go…good??? When conditions are best for capturing five-star imagery is when you will feel the most pressure to perform. Because there’s no reason you shouldn’t come home with something spectacular. And really, there’s no excuse if you’ve done your homework and have…practiced.

Shot with Canon 5D MkII, 16-35 2.8 II, Singh Ray 4-stop Reverse ND Grad, Gitzo tripod

Composition Tip: Fill the Frame

Monday, June 7th, 2010
Image of brown trout in Brodin Ghost Net caught and release on a fly in the Weber River, UT

Image of brown trout in Brodin Ghost Net caught and release on a fly in the Weber River, UT

Fill.
The.
Frame.

Too many times our images are left wanting. Sometimes this has to do with including too much, sometimes it has to do with including too little. Sometimes, it has nothing to do not with what we include, but HOW and WHERE we include it.

Fall foliage in Big Cottonwood Canyon, UT

Fall foliage in Big Cottonwood Canyon, UT

In general, study the edge of your frame when you shoot and make sure there is nothing distracting that’s impeding upon either the subject or message (or both) of your image.

I have a rule I try and hold myself to: Make an image as interesting or engaging as possible with as little as possible.

Schooner in Sausalito Bay with San Francisco Skyline in background.

Schooner in Sausalito Bay with San Francisco Skyline in background.

There are, however, two caveats to this.

1. Know how your image will be used. Do you need to leave more negative space than you typically would for logos, copy or other extraneous additions to the image? You may want to shoot several versions of the “same” image; one for you, and one for potential stock/editorial/commercial usage.

Image of Chestnut-mandibled Toucan. Arenal, Costa Rica.

Image of Chestnut-mandibled Toucan. Arenal, Costa Rica.

2. Know when to break the rules. This is a grey caveat. It relies on your creative intuition. There are times when the scene in front of you will be chaotic. The truly skilled photographer will still be able to tame that chaos into an approachable, meaningful image.

Timing Makes All The Difference

Thursday, May 20th, 2010
Comparison of two images of wildflowers and South Caineville Mesa by Utah landscape photographer Adam Barker.

Comparison of two images of wildflowers and South Caineville Mesa by Utah landscape photographer Adam Barker.

Timing really can make all the difference. Shooting at different times means shooting different light. And different light can give nearly the same image an entirely different feel.

Case in point is this study from my recent trip down to Caineville, UT. These two (nearly identical) images were shot just 13 minutes apart. As you can see, the image on the left still has direct light on the FG flowers. Due to the bluffs to the west, it was impossible to catch the last rays of light on the flowers themselves. This direct light is a bit hot for my taste, but it does accentuate the rows of flowers, and give the FG more of an elongated feel.

The image on the right showcases the flowers in open shade, and succulent late light on South Caineville Mesa. The open shade on the FG gives the viewer access to every last detail, and renders the colors softer and more luminescent. It doesn’t, however, showcase the leading lines of the flower rows.

This truly is the beauty of still photography. And this, really, is how you can go about defining your personal style and your preference to the types of images you’d like to capture. Study the subtle (or not so subtle) difference between images. Are you willing to sacrifice some of the detail in the FG flowers for the compositional definition, or do you prefer the soft tones and colors instead of the open shade? If you had to choose between displaying one or the other of these images, which would it be–and why?

Shot with Canon 5D MkII, 24MM TS-E 3.5II, Singh Ray LB ColorCombo Polarizer, Singh Ray 3-stop Reverse ND Grad

Video: How to Hand Hold Grad ND Filters

Tuesday, May 11th, 2010

Here’s a quick video clip from my instructional DVD that showcases the effectiveness of several filters from Singh Ray. It also gives a good demonstration on how I hand hold my filters when shooting. (to order the DVD, click here)

Why do I hand hold my filters?

1. Speed—in rapidly changing conditions, I want to be able to adjust my shooting position, composition, lens selection or any number of other components quickly and without too much hassle. By hand holding my filters, I’m able to adapt quickly to whatever may present itself in those fleeting moments of magic.

2. Control—many times we find ourselves shooting scenes with parts of the image that may require less filtration than others. By hand-holding my filters, I am able to manually dodge and burn the parts of the image that may require more or less filtration. This is an advanced technique of sorts, but will become more intuitive with time and practice.

3. Versatility—many of the active lifestyle images I shoot are done on unsteady surfaces and without a tripod. There simply isn’t time to screw on a filter holder and even if I were able to, my gradient transitions (where I want that filter line to fall) are never stationary. Hand-holding allows me to micro-adjust that filter placement for each shot.

How do I hand hold my filters?

Let me first say that all of the Grad ND filters I use are the 4 x 6 size. This larger size is much easier to hand hold in general, and nearly essential if you’re shooting wide angle lenses on a full frame sensor.

I generally grasp the edge of the filter between my thumb and index finger or middle finger. Taking special care not to shake the camera, I place the filter flush against the front element of the lens. If I’m shooting at longer focal lengths or with longer shutter speeds, I may remove the filter just slightly from the lens to avoid any sharpness sapping vibration.


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